jeudi 2 mars 2017
vendredi 27 janvier 2017
jeudi 26 janvier 2017
他要試吃感覺超噁的「巧克力拉麵」時大家都等著看他吐死，但是看到最後卻…真的假的啊？！
日本真的什麼黑暗料理都有！
說起情人節，大家第一時間想起的就是巧克力和鮮花吧！配合情人節即將到來，日本餐廳也紛紛推出了以巧克力為主題的食材，東京這家名為「Mensho」的餐廳當然也不例外，但Mensho推出的巧克力餐不是每個人都敢輕易嘗試，因為Mensho是一家拉麵專賣店。
▼一位網友日前在Mensho大膽嘗試這款超黑暗料理-巧克力拉麵後，在網路上和大家分享了他的心得，原來看似突兀的兩種食材結合在一起後的口味似乎也相當地出乎意料…
▼Mensho推出的巧克力拉麵並非是用巧克力製成麵條，而是將巧克力塊放入富山醬油湯裡。
▼這款超黑暗的料理其實源自於中國，經過Mensho改良成適合日本人的口味後推出。
▼然而讓網友驚喜的是，拉麵一入口時竟然不是濃郁的巧克力味，而是…大蒜味？
▼根據網友的解說，巧克力拉麵有兩種吃法，如果是不太敢嘗試這麼黑暗的料理，大家可以選擇一口巧克力配搭一口拉麵，口感絕對獨特。
▼而大膽的網友決定嘗試第二種吃法，那就是等待巧克力融化後再拌著拉麵一起吃。看著沾滿巧克力醬的拉麵，不知道味道如何呢…
▼網友將拉麵送入口後竟然是滿滿的驚喜，濃郁的巧克力在嘴裡融化開，再配上拉麵嫩滑的口感，結果出奇地美味，讓他讚不絕口！
▼他把整碗拉麵都吃光就是美味的證明！
雖然巧克力和拉麵的配搭真的相當怪異，但親自嘗試後的網友給予的好評頓時讓大家都躍躍欲試！你敢嘗試嗎？快動動手指分享出去，讓大家都知道原來巧克力竟然還能配拉麵吃。如果你身邊有愛挑戰的朋友，那就鼓勵他去挑戰吃吃看吧！
mardi 24 mars 2015
GoPro Hero3 Black Edition
What is the GoPro Hero3 Black Edition?
The GoPro Hero3 Black Edition is a small but tough camera and camcorder designed to be used in the harshest of conditions. If you've ever watched the Deadliest Catch you'll know the astonishingly exacting the conditions it is filmed in are. Can you guess what they use to film? That's right it's GoPro cameras. That's how tough they are.
With more than ten year's experience in manufacturing top-of-the-line extreme sports and adventure cameras GoPro certainly has the pedigree. GoPro has become the industry leader, although there are a number of big and small companies looking to capture its crown.
The GoPro Hero3 Black Edition is the flagship product in the Hero3 range, which includes the mid-range Silver Edition and the entry-level White Edition. We have the regular GoPro Hero3 Black Edition, but there's also a Surf Edition that comes with special adhesive mounts designed especially for mounting the camera to a surfboard.
In all other respects, however, the two cameras are identical in spec and design.
GoPro Hero3 Black Edition - Features
As the flagship product in the GoPro range, the GoPro Hero3 Black Edition has a number of upgrades over its cheaper siblings. First and foremost, the big addition for the Black Edition package is the supplied Wi-Fi remote control that lets you control the camera – handy if the camera itself is attached to a helmet or anywhere else that might make reaching the buttons tricky. We’ll deal with the set-up and operation of the remote in more depth later on, but for adventurous souls looking to mount their camera somewhere they cannot physically reach it, the Wi-Fi remote is sure to appeal.
In addition to the supplied Wi-Fi remote, the Black Edition also has a beefed-up, higher resolution 12MP camera. By way of comparison, the Silver Edition gets an 11MP snapper, while the entry-level White Edition only gets a 5MP sensor. In addition to the full 12MP, the Black Edition also shoots at 7MP and 5MP if needed.
Perhaps more useful to the camera’s target audience is the Black Edition’s 30fps maximum burst rate. This is considerably higher than both the Silver Edition’s 10fps and the White Edition’s 3fps. It’s a useful advantage because, in the fast-moving world of adrenaline sports, the ability to fire off 30 consecutive shots is much more likely to bag you exactly the shot you want.
For those who don’t require quite so much speed, the Black Edition has 3fps, 5fps and 10fps continuous shooting speeds, too. Last but not least the GoPro Hero3 Black Edition has a time-lapse mode, where the camera can be set to shoot at 0.5, 1, 2, 5, 10, 30 and 60-second intervals. It all adds up to plenty of scope and flexibility.
Of course, the majority of people looking to purchase a Hero3 will probably be much more interested in its video capabilities than its still image prowess, and here again the Black Edition enjoys a distinct advantage over its two supporting models. While the Silver and White editions support a maximum resolution of 1080p at 25fps, the Black Edition can capture 1080p Full HD video at 50/48/25fps in PAL mode (60/48/30fps for NTSC capture). Furthermore 720p recording can be captured at 100/50fps (120/60fps for NTSC), which enables smooth slow-motion playback of high-def movies – something neither the Silver or White editions are capable of.
The Black Edition also supports 4K capture at 15fps, or 4K Cinema at 12fps.
Alternative video settings include:
1440p at 48/25/24fps (48/30/24fps for NTSC)
2.7K at 25fps (30fps for NTSC)
2.7K Cinema at 24fps
960p at 100/48fps
WVGA capture at 240fps.
You really are spoilt for choice when it comes to video recording options.
vendredi 31 mai 2013
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